The thought of an American explaining on Japanese news what "boomer" means is hilarious to me.
I would like to add though that if people remember it, it's still a successful meme. That's literally what memes are, memories.
Okay so, I'm taking my annual trip out to Ohio to visit my extended family, and, like always, hitching a ride with my pa. Last year, I had a pretty nice time spending the 7 hour ride with Mario and Zelda. Moreso the latter, dear god it was so addictive, I loved it, I miss it so :(
But so, I think I want to do the same this year, and it's been a spell since I last bought a Switch game. Yeah, there was Cuphead, but I'm stuck on the final boss and he's hard AF and I'm getting a little tired of it anyway.
So I'll do what I did last year and buy myself a Switch game for Christmas. Yes, I buy myself gifts. So I can have something to put under the tree. Hey, look, I'm not gonna sit here and pretend like I'm some so-called "family man" with one of these "family" units that does things like "exchange gifts", or a romantic partner that might do the same, like some kind of elitist. You won't see me put on "oh look at me, I'm surrounded by so many loved ones that want to lavish me with gifts" airs. This is your old pal 'Bean, here. I'm a straight-shooter.
Okay so, recommend me anything except Mario Maker, because that seems tedious and too much work to have fun. I would say that the Link's Awakening remake is off the table, too. Meh. Not feeling it.
So, Microsoft showed off their upcoming console at the Game Awards recently. I didn't watch (because the Game Awards are more ofa long advert than a real awards show...) but I've seen the main announcement, this. And the new award for in the "potentially confusing console name" contest, last won by the Wii U, has a new challenger: Microsoft! Taking a book from the Apple school of device naming, the followup to the Xbox One is the... uh, Xbox Series? Seriously? Xbox Series X is the one they just announced, and it's probably the higher end of what will likely end up being two models. It's probably a good guess that the other one will be the Xbox Series S.
I guess the idea is that since they are getting away from distinct platforms and now are working on a more PC-like iterative approach where each new system is backwards compatible with the last, with some games that work on both consoles and others that only work on the new one, they are also going even farther away from having a clearly distinct name for the console that is easy to tell apart from other Xbox systems, but as someone who has always preferred numbers and such, so you actually can tell which one the system is, this move is kind of annoying.
Oh, and I hope they make the 'which games work on the Xbox One and which don't' thing really obvious, because otherwise it will be very confusing.
And I'm not even getting in to the other, surely intentional take on the name, the acronym. Xbox SX? The juvenile jokes write themselves. And come on, isn't this supposed to be a serious console?
The other news is that they also showed what is apparently going to be the shell for this console.... and it's huge! At 12" tall and 6" wide and deep, this is a very large system. You can also put it sideways, but 6" tall is still quite high for a modern system; the last system to need that kind of space is probably the Gamecube with its lid open. The space I currently have my Xbox One S in has 5 3/4" height, I measured. That shelf is adjustable down a bit so I probably could reorganize to make it fit, if I pretend that I was trying to fit that thing into this same space, but if it really is that height lots of people will have issues with the size, even sideways. The thing looks alright, in that modern, "flat" style (that I think looks alright I guess but will never be a big fan of), with a curved-in grille making it a bit more than JUST straight line edges. And yeah, it's powerful, and by making it big they probably help cool it down better. But this is a console, not a PC, space is a concern...
I'd have to say this game is as solid as its predecessor. It brings back the same terror, tension, and helplessness, dropping the player into a hostile environment in which the only way to survive is by running and hiding. I hadn't realized it until playing Resident Evil VII, but not having weapons makes the game 100x more terrifying in a way I don't think I appreciated before.
At first, the environment didn't seem as frightening as the asylum in the first game, but I'd say it finally hit me when I was crawling through a cornfield, avoiding the waving flashlight beams of two murderous hillbillies. The lights would shine right on the stalk next to me and making me freak out and run, even though they probably hadn't even seen me, and I just gave myself away.
The game adds a couple new mechanics as well. In the last game, there was no actual health meter, so to stay alive, all you had to do was flee an enemy, find a place to hide, and if you bode your time, your invisible health gauge would fill back up. Not so, this time around. You have to seek out bandages strewn about the environment, and they aren't always in great supply. This time around, you do still need to continue finding batteries to keep the night vision on your camcorder working, and luckily, the game is pretty generous with them. Let's be honest, if you were left without them, and had to wander around in the dark, the game would be nigh impossible. But, I'm sure on higher difficulty settings, the game has no problem with that whatsoever.
So that adds a new difficulty to the gameplay, but the game also equips you with a microphone on your camcorder, which allows you to track enemies that aren't in your sight. When you activate it, it amplifies the sounds of nearby enemies, chiefly their voices as they mumble creepy little prayers to themselves. You use it as kind of a radar to detect where they're coming from. This is both convenient and anxiety-inducing, because you can be in an environment with low visibility, but still know an enemy is getting closer. Not actually seeing them makes it scarier!
God DAMN, the game gave me a long, protracted chase scene that kept me squirming. Typically, stealth and chasing is small in scope (both in this game and the last), but every time I thought I found a hiding spot or the path to a safe space, they just. kept. coming. "He's in the house!" "He's underneath the floorboards!" "He's here, get him!" I thought it was a function of difficulty at first, but really, it's by design. There's a certain path/order you need to follow in order to get away. Much of both games are like this; you basically follow an invisible track to progress through the game, and if you can find that, you feel a little more at ease.
As to the negatives, the game's character design suffers, as the studio that made this (afaik) is lower budget than other productions. It shows, as the faces of characters aren't quite so realistic as other AAA games. A superficial complaint, to be sure, but still a bit of distraction. Luckily, the game is both darkly lit and frenetic, so you don't see the actual faces of enemies very often. The game is effective at making things scarier by hiding them, and relying on implication. Certainly you can hide from enemies in tall grass, inside barrels, underneath beds, etc, but this also obscures your view of the creepy things, leaving just enough in sight to let your imagination fill in the gaps.
The story is pretty decent: you play a cameraman, the other half of a duo with a news anchor/journalist that also happens to be your wife. Like the last game, the characters come into danger by their own ambition. It opens with the two characters in a helicopter, trying to get close footage of a remote town where a murder recently took place. The engine fails, leaving the helicopter to crash. As you awaken, you find that your wife is missing, and that not only did the pilot not survive, but has been skinned and crucified. Somehow, you escaped this fate? Maybe the baddies discovered his body, but not yours? Whatever, we need a game, and I'll suspend disbelief just long enough for that creepy bit of foreboding.
One thing I DON'T like is that the game puts the main character through psychological flashes of dream-like states, where he's dropped into a school, presumably the one he attended as a kid, and implies that it's a memory associated with a great deal of guilt. Meh. I kind of like how the first game skipped over this kind of psychological thrill, this Silent Hill dynamic that honestly feels tired at this point. The first game is raw, putting you in danger that's entirely constructed from the evil of human beings, grounded into reality. It feels almost novel to give a straightforward narrative of that kind.
So yeah. If you enjoyed the first game, certainly pick this up, as it's more of the same, i.e. excellent and thrilling. I like to be scared, and years of a steady diet of horror movies has desensitized me. The last game, I felt like I could only play for so long before I felt like I'd have a heart attack. The best way to play them is with all the lights off, at night, alone. Red Barrels is very talented at creating creepy and hostile environments, where the player feels at danger at pretty much every turn.
Just finished this book, which is just as brilliant as the movie. As with the movie, the ending gave me goosebumps. It's a pretty faithful adaptation, the key difference that it's told from the point of view of Chief Bromden. It's also a bit more surreal and symbolic, which made it interesting to read and try to parse out what's real, what's a metaphor, etc. Challenging in that regard, but written in a very straightforward, accessible way, without flowery or pretentious language.
Now I have to watch the movie again, naturally. Louise Fletcher PERFECTLY captures Nurse Ratchet, with her condescension, passive-aggression, and fake-smiling. That oscar was well-deserved. And of course, if you've seen the movie, it's impossible to read the book without picturing Jack Nicholson in all his mischievous, wise-ass glory. So much perfect casting and performances.
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