Think about it... this is a simply incomprehensible amount. Four thousand dollars a second? ......... what can be said... the amount of money being wasted, flushed down the drain... corruption, graft, funding of mercenaries with free licenses to kill anyone they choose to, and everything else... hundreds and hundreds of billions of dollars, all of it borrowed from overseas lenders, most obviously China. And people wonder why our economy is in trouble?
Originally planned as Romancing SaGa 4, SaGa Frontier allowed you to play as seven different characters, each with their own storylines. Because of this, it plays more like its Japan-only predecessor Live-A-Live than its successor.
The game was produced and directed by Akitoshi Kawazu of Square's Production Team 2. His previous works included the Romancing SaGa and Final Fantasy Legend series as well as some game design work on the first two main-line FF games. The music was done by Kenji Ito, who worked on many of the same games.
SaGa Frontier was released in Japan on July 11, 1997 and in the US on March 31, 1998, placing it somewhere between the RPG juggernauts Final Fantasy 7 and Xenogears, which is likely one of the reasons it received so little attention.
Upon starting the game, you are prompted to select one of the seven playable characters. Each character has their own storyline that often entertwines with the storyline of other characters, often through shared NPCs, locations, and events. Each storyline usually lasted somewhere between 10 and 15 hours.
The gameplay in SaGa Frontier is standard RPG fare. You traveled from location to location looking for something to do, people to talk to, or monsters to fight. Nothing particularly ground-breaking there, but it fit in with the standard of the time. Fights were carried out through a quasi-3D battle screen in turn-based combat, also standard for the time, although it did mix things up a bit with twists like mid-combat technique learning and combos. Other notable gameplay features include the ability to save anywhere [even in dungeons] and automatic regeneration of HP and MP after a battle.
Aside from mutiple characters/storylines, SaGa Frontier was set apart from other RPGs by the nature of the storylines. Generally, RPG storylines involve huge, earth-destroying catastrophes that must be avert at all costs by a group of plucky youngsters who are, from some reason, the only ones who can do it. In Saga Frontier you generally were not facing such catastrophies and were generally involved in much more intimate events. At the very least, it was a change of pace.
Also of note are the diverse and intersting worlds. They range from modern-day to near-future to post-apocalyptic. Again, it's a nice change of pace.
Overall, SaGa Frontier has its flaws, which mainly deal with the fact that it's basically seven RPGs crammed into one package. On the other hand, it has some interesting ideas and allowed the creators to do some things that they probably wouldn't have been able to do otherwise.
It's Steven Speilberg Presents Jenga!! Only it's a form of Jenga that's on steriods, or maybe acid. Either way it's some potent stuff and the concotion known as Boom Blox is one of the most exciting and fun gaming experience you're likely to find.
Aside from the basic Jenga-like mode, which is made even more fun by adding in twists like different sized blocks, a special block on the top of the tower that you have to keep from falling [rather than the tower as a whole], and various sized bases which make balancing the tower a bigger focus than ever, you also have several other modes. These other mades have you shooting at point blocks that fly through the air, throwing a bowling ball or baseball at a tower in order to make it fall as much as possible, and trying to make knock point blocks through point multipliers. There's a lot here and it's all fun. Add in multiplayer it's just...magic.
Do yourself a favor and go out and get this as soon as possible.
Also, it was announced that Inon Zur is the composer for the game.
Quote:In addition to scoring a number of best-selling video games, Zur’s music has been featured in many high-profile projects including Hollywood film trailers, network television productions, CGI movies, and symphony concerts. Most recently, Zur has composed music for CBS’ ‘Ghost Whisperer: The Other Side’ TV webisode series as well as the Marvel Kids webisodes for ‘IRON MAN’.
As far as videogames go, he's done work for Crysis, Fallout Tactics, Baldur's Gate II: Throne of Baahl, Syberia II, Icewind Dale II, and a number of other smaller titles.
As for the music itself, it's more...rich?...than the other Fallout games, but I really like what I'm hearing so far. It's definitely a departure from games like Oblivion and Morrowind, and that's a good sign.
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